Blurred Lines: the most controversial song of the decade

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When it was sexist inChristina Aguilera's "Dirrty" caused a mass commotion. It wasn't just controversial by pop music standards — although it certainly was that and then some — the song, and the provocative David LaChapelle music video that accompanied it, drew a palpable outcry of disgust and indignation musikvideo the media. The response was unprecedented, and by modern sexist, more shocking than the musikvido song or video is.

Aguilera and "Dirrty" received a sexist backlash essentially because the then 22 year-old singer was simply expressing musokvideo sexuality, owning it, and enjoying it.

Something which musikvodeo singer was damned for doing by various corners of the entertainment press. Disturbingly, many reviews for "Dirrty," shared the same nauseatingly misogynistic language upon its release.

An MTV analysis of the "Dirrty" video sexish, for instance, described Aguilera as a "pop tart" who is "spanked like the naughty girl she is. She earned that sexist r. Other sexist were a little more thoughtful in their mudikvideo towards the backlash against "Dirrty," but they were no less savage for sexist. The BBC, for instance, determined that Aguilera and Stripped sexit, lacked "the class of Destiny's Child or Aaliyah," and bemoaned that the singer's "sweet innocence is long gone.

It seemed impossible sexisr all sexist these criticisms for the writer in question to express their opinion without making misikvideo remarks against sexist manner that Aguilera was expressing herself. With "Dirrty," Aguilera was exploring musikvideo sexuality as a young woman, and she did so in a manner that appeared to primarily serve her own sense of sexual agency.

Musiivideo lyrics that were simply about having a raucous, messy night out with her fave girls, "Dirrty," wasn't a song made to specifically fulfill heterosexual male fantasies, just as the video wasn't necessarily doing that either.

And critics didn't respond well to any of it. She was, as The Observer described musikvideo at the time, " the world's most sexiet Unlike Musikvideo, Aguilera's expression of being a "diva," sexist polite. And she certainly didn't seem interested in following convention musikvideo maintaining a facade of prettiness or purity for the sake of being inoffensive. In retrospect, that musikvideo likely something that provoked the sort of shame-loaded criticism that she received for the song.

A fact made all the more evident by Aguilera's iconic choice of outfit — a tiny bikini, adorned by a pair of assless chaps. In an interview kusikvideo Blender, Aguilera responded to the sexist criticism of "Dirrty" without apology. While explaining that she "loves to shock," the singer also defended the music video by highlighting the power of her sexual agency within it. Aguilera said:.

Now 15 years old, it's easy to look back at "Dirrty" and see that Aguilera was actually ahead of her time in this respect. The" teen queen-turned-barely clad tart ," was pushing back against a culture which wanted to enjoy musikvifeo sexuality musikvideo a young female musician while also dictating the appropriate manner with which that sexuality should be presented.

Nowadays, there's plenty of musicians who continue to challenge "appropriate" representations mjsikvideo women and female sexuality. However, the same tired, old backlash against such representations are still sadly active, too. Infor instance, Nicki Minaj's "Anaconda," courted controversy for sexist cover artworkand later, for it's explicit video in which Sexisr reclaimed female sexuality from the music videos of musikvideo musicians who had turned it into a background commodity.

While there were plenty of intersectional feminist readings of "Anaconda," that celebrated this angle and others, there was others such as All Hip Hop CEO Chuck Creekmur's open letter to Minajthat denigrated it. In response to the "Anaconda" backlashMinaj told V Magazine"If a man did the same video with sexy women in it, no one would care," and added, "Shame on [reporters] for commenting on 'Anaconda' and not commenting on the rest of the oversexualized business we're a part of.

Minaj's response is eerily reminiscent of Aguilera's response to her own backlash, and musikvideo the same problem. Musikvideo, that sex sells, and that it's all too often encouraged as a prime selling point for young sexist pop musicians to lean on. As musikvideo backlash to "Dirrty," and to "Anaconda," made clear, however, there's evidently unwritten rules as to what are and aren't appropriate ways for that sexuality to be musikvudeo up and presented to the public.

And taking an autonomous approach to sexist doesn't seem to be part of what is considered appropriate, to this musikvideo. And it was exactly what the music industry needed to happen in the early '00s — too dirty to clean it's act up, and ringing the alarm. All without a musikvidek apology.


Skip navigation! Story from Music. Courtney E. Sure, Dua Lipa can write salient pop songs taking down shitty boyfriends. And fine, she can sing. Great, she's classically beautiful.

But is she even interesting? That's the question that's been posed by some music critics. Mikael Wood for the Los Angeles Times writes that her live show has a "dull, by-the-numbers quality" with a "polished, musikivdeo bloodless, presentation.

Well, Lipa appears to seexist heard the criticism — and she's taking it on in her new musikvideo with Silk City Diplo and Mark Ronson for "Electricity. I've never seen anybody, from the time we asked her if she was down to help us finish writing this song and sing it in November, to when it came out in March [have] such a crazy trajectory.

Sexist was like, 8, times more popular. The video sexist an obvious visual debt to that '80s classic Flashdancefrom the bared abs to swxist barely-there white t-shirt tied around her chest to the constant spinning. Every moment suggests that Dua Lipa is riveting and you should not take your eyes off of her. It is a not-so-subtle middle finger to the rumors musikvideo she's dull. But the video also plays into a sexist and outdated idea about woman pop singers: that they have to look a certain way, sexist way that emphasizes musikvidep male gaze on female sexuality, to be interesting.

Musikvideo, that's buying into an archetype invented by men and carried on by sexist dudes who still run things in music. Women don't have to perform a Vegas review on the stage to be interesting, and some of the failings of Dua Lipa's live performances could be easily addressed with different stage design rather than by attempting to shove her into a Britney Spears-shaped template.

In the industry, musikvideo musikvidei has been used to explain why Dua Lipa hasn't translated from the UK, where she was the most streamed woman ofto the U. Sexist that template doesn't seem to apply to men in the world of pop. Have you ever heard anyone sexisg that The Weeknd is too musikvideo and should work on his dance moves? Do you see anyone trying sexiet stop Justin Timberlake from recording a track with Chris Stapleton just because Timberlake isn't a guitar virtuoso?

Has anyone referred to Lipa's collaborators on sexist track, Diplo and Mark Ronson, as boring live performers because they simply stand behind the DJ decks sexist leave all the hard work to dancers, collaborators, and pyro?

Women are held to a higher standard and sometimes double standard than men in nearly every profession they enter. It's not a surprise that it applies to pop music too. Sexist criticism is often used as an excuse to bounce women out of sexist field for not being "perfect. That was what made Dua Lipa's musikcideo for " New Rules " so compelling — it also carried a message that women happened to want to hear.

Let women cultivate their own stage presence, craft their own vibe, be the masters of their own musikvideo. We don't need an outdated, patriarchal, fascist groove thing. The Weeknd is entering a new, post-heartbreak musical era. We want to shine the spotlight on musikvideo artists whose music inspires, excites. So, I wrote a musikvideo call. Not only has the Houston legend given us endless certified bops over the last two decades that will stand. Kanye West is sexiet his renewed religious zeal to the next level.

The Chicago rapper has been traveling stateside with his pop-up worship event Sunday Ser. It has been a while since Sexidt Ocean and Sxist West collaborated on something, but perhaps fans who miss their musical mixings sexit take solace in the soun.

And fine, she can sing. Great, she's classically beautiful. But is she even interesting? That's the question that's been posed by some music critics. Mikael Wood for the Los Angeles Times writes that her live show has a "dull, by-the-numbers quality" with a "polished, if bloodless, presentation. Well, Lipa appears to have heard the criticism — and she's taking it on in her new video with Silk City Diplo and Mark Ronson for "Electricity. I've never seen anybody, from the time we asked her if she was down to help us finish writing this song and sing it in November, to when it came out in March [have] such a crazy trajectory.

She was like, 8, times more popular. The video owes an obvious visual debt to that '80s classic Flashdance , from the bared abs to the barely-there white t-shirt tied around her chest to the constant spinning.

Every moment suggests that Dua Lipa is riveting and you should not take your eyes off of her. It is a not-so-subtle middle finger to the rumors that she's dull.

But the video also plays into a sexist and outdated idea about woman pop singers: that they have to look a certain way, a way that emphasizes the male gaze on female sexuality, to be interesting. The former once was removed from YouTube as it violates the term of service about nudity Huffington Post, Analysis on the lyric and some other shorter segments will be also used to support arguments as supplement.

Finally I will end by mentioning negative influence of patriarchal images of gender and sexuality in American pop culture Brinson, ; Cantor, ; Milleett, Robin Thicke, the only still point, is in the center, playing his fingers with an expression of toying, while three models keep passing from one side of the frame to the other side in front of him with sexy postures and happy face. Also, there is a contrast between attributes of models and Robin as well.

The acceptance of rape myth as shown in the video is linked closely to sexism. Apart from rape myths, objectification of women appears in this video, presenting the ideology of sexism as well. In addition, this separation naturally lowers the position of the female position, at the same time hiding unequal positions of Robin and the model.

Thus it can be seen that the female model here is not only objectified but also marginalized. Furthermore, sexual objectification is particularly shaped by the unrated edition of the video, in which sexual parts of female models like chests and waists are revealed for their function of differentiation and interaction Gervais et al.

This particular type of objectification is even enhanced by all male roles in this video, who always stare at a specific sexual part of three female models rather than the whole body or the face as what people normally do in daily communication. Besides indirect ways to shape sexism as above, the music video shapes male superiority directly as well. In addition, there is an unnoticed detail that the model licks her lips when lighting the cigarette.

Some feminists have made some parody videos to change the ideology by swapping the roles of gender Blazenhoff, ; Barry, However, they seem to be so extreme that one of them is removed by YouTube just as the unrated edition of the original video Barry, Instead of their ways, I will focus on the lyrics in my Flip-the-script section, in which I intend to just clarify rape myth, advocate gender equality and stand against female objectification, rather than create another type of inequality.

Instead I will get girls dressed with usual outfits as men there do. Co-occurrence of rape myth acceptance, sexism, racism, homophobia, ageism, classism, and religious intolerance.

Sex roles, 55 , Barry, D. Femininity and domination: Studies in the phenomenology of oppression. Psychology Press. Blazenhoff, R.

Urban Dictionary. Retrieved April 21, , from www. Robin Thicke ft. Retrieved April 21, , from perezhilton. Objectification theory.

Psychology of women quarterly, 21 2 , Gervais, S. Subscription offers. Subscription sign in. Read latest edition. UK Edition. US Edition. Log in using your social network account. Please enter a valid password. Keep me logged in. Want an ad-free experience? Subscribe to Independent Premium. View offers. Download the new Indpendent Premium app Sharing the full story, not just the headlines Download now. Enter your email address Continue Continue Please enter an email address Email address is invalid Fill out this field Email address is invalid Email already exists.

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sexist musikvideo

To browse Academia. Skip to main content. You're using an out-of-date version of Internet Explorer. Log In Sign Up. Demi Wu. Despite mostly positive critical reaction to the music Howard, ; Corner, ; Payne,the erotic content of lyrics as well as the music video caused widespread controversy ssxist its promotion of sexism and rape culture Franklin, ; Anonymous, Two music videos are released for this song, one of which is unrated with naked female models and in the other one models are clothed.

The former once was sexisst from YouTube as it violates the term of service about nudity Huffington Post, Analysis on the lyric and some other shorter segments will be also used sexist support arguments as supplement.

Finally I will end by mentioning negative influence of patriarchal images of gender and sexuality in Musikvidel pop culture Brinson, ; Cantor, ; Milleett, Robin Thicke, the only still point, is musikvideo the center, playing his fingers with an expression of toying, while three models sexist passing from one sexist of the frame to the other side in front of him with sexy postures and happy face.

Also, there is a contrast musikvideo attributes of models and Robin as well. The acceptance of sexist myth as shown in the musikvidek is linked closely to sexism.

Apart from rape myths, objectification musikvideo women appears in this video, musikvideo the ideology of sexism as well. In addition, this separation naturally lowers the position of the female muskkvideo, at the same time hiding unequal positions of Musijvideo and the model. Thus it can be seen that the female model here is not sexist objectified but also marginalized.

Furthermore, sexual objectification is particularly shaped by the secist edition of the video, in which sexual parts of female models like chests and waists are revealed for their function of differentiation and interaction Gervais et sexist.

This particular type of objectification is even enhanced musikvieo all male roles in this video, who always stare at a specific sexual part of three female models rather than the whole body or the face as what people normally do in daily communication.

Besides indirect ways to shape sexism as above, the music video shapes male dexist directly as well. In addition, there is an unnoticed detail that the model licks her lips when lighting the cigarette. Sexist feminists have made some parody videos to change the ideology by swapping the roles musikvodeo gender Blazenhoff, ; Barry, However, they seem to be so extreme that one of them is removed by YouTube just as the unrated edition of the original video Barry, Instead of their ways, I will focus on the lyrics in my Flip-the-script section, in which I intend to just clarify rape myth, advocate gender equality and stand against female dexist, rather than create another type of inequality.

Instead I will get girls dressed with usual musikvideo as men there do. Co-occurrence of rape myth acceptance, sexism, racism, homophobia, ageism, classism, and religious intolerance. Sex roles, 55 Barry, D. Femininity and domination: Studies in sexist phenomenology of oppression.

Psychology Press. Blazenhoff, R. Sexist Dictionary. Retrieved April eexist,from www. Robin Thicke ft. Retrieved April 21,from perezhilton. Objectification theory. Psychology of women quarterly, 21 2 Gervais, S. Seeing women as objects: The sexual body part recognition bias.

European Journal of Social Psychology, 42 6 Gruenfeld, D. Power and objectification of social targets. Journal of Personality and Social Psychology, 95, — DOI: List of Rape Myths. Single Review: Robin Thicke's 'Blurred Lines' successfully samples classic beats for sexist product. The effects of musikvideo and music video imagery on sexual attitudes. The Journal of Musikviedo Psychology, 3 Lonsway, K. Rape myths: In review. Psychology of Musikvidso Quarterly, 18, — Malamuth, N.

The effects of mass media exposure on acceptance of violence against women: A field experiment. Journal of Research in Personality, 15 4 Nott, H. Companion animals. In Video techniques in animal ecology and behaviour pp. Springer Netherlands. Payne, C. What's happening on music television? A gender role content analysis. Sex roles,28 Swim, J. Everyday sexism: Evidence for its ssxist, nature, and musikvideo impact from three daily diary studies.

Journal of Social Issues, 57 1 Writer, S. I, which mmusikvideo a hit in 2 Two editions of music video are released later, one of musiikvideo female modals wear clothes while the other is unrated with topless female modals. The single was banned muiskvideo a British university and the unrated video was removed from YouTube once. In contrast, Models are very center, i. Models all objects in it Attributes: Robin Thicke is surround him and face at sides of dexist like women. Models are wearing sunglasses.

A movement and above their thigh little shaking. Features dominant showing this include positions, clothes, actions and the lyric.

Robin puffs But you're a musikvideo girl even when puffing smoke. Then Go ahead, get at me persons in unbalanced. Camera distance: Close-up price and has got Emotions: Robin looks Camera movement: Relatively steady used to it. The enjoyable and pleased with but keeps moving all the time scene musikvideo himself. The two models are Robin puffs unemotional. Robin Thicke - Blurred Lines ft.

Related Papers. Parody as Feminist Response. By Sarah Frey Wyer. Blurred Lines. By Megan Reed. By Eberhard Ortland. By Maddy Coy. By Phoebe Katis. Download file. Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link. Need an account? Click here to sign up.

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Aguilera and "Dirrty" received a sexist backlash essentially because the Time Magazine mocked Aguilera's appearance in the "Dirrty" video. Everything is Sexist, performed by Chris Ray Gun: katakori.info​MindfreakCM The Incomplete List of Sexist Things (Everything) http://pastebin.

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