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Diversions AKA Sex Express (1976)

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All too often played for laughs, the British sex films of the 70s were generally a staid and almost apologetic lot that seemed sex mortified that they were engaging in such terribly un-British acts. The longer version — intended only for overseas consumption — features five stories as opposed to the four seen in Sex Express.

Both films begin the same way — Imogen Deeley boards a train, handcuffed to another woman, apparently being escorted sex prison for crimes of violence. En route, she wiles away the time by fantasising about her fellow passengers, beginning with a curious encounter with a young man who seems intent on eroticising the humble apple. After some tedious poetry readings, we get a lengthy diversions poorly lit coupling in a barn. Diversions veers straight into horror territory with the next sequence.

Imogen constructs a fantasy around a black-clad passenger sex a copy of Vampirella comic in which she has sex with perennial British superstud Timothy Blackstone express a bit part in the Doctor Who story Genesis of the Daleks but soon dropping his pants on cue in a variety of British sex romps, notably a series of hardcore loops for John Lindsay and stabs him to death at the moment of climax while suffering flashbacks to a brutal war-time gang rape.

Had this scene survived intact, British audiences would have been completely unprepared for this brutal and out-of-left-field plot development. The vignette continues with Imogen setting out to seduce and presumably kill another victim that picks up while driving diversions sports car around central London — but the tables are turned when the new pick-up turns out to be a vampire! The third tale is a bog-standard sex film scenario in which Deeley plays a respectable suburban woman whose phone number gets muddled up with that of a call-girl and whose diversions at getting express phone-calls is tempered somewhat by the arrival diversions her door of a hunky American looking for some action.

It goes on forever and is rather tediously shot. British viewers of Sex Express were denied sex fourth segment in its entirety. The last episode is also fantasy. Diversions buys an antique camera which seems to be haunted by a Tod Slaughter-look-alike Victorian photographer. Deeley is joined express these scenes by Gilly Sykes another regular in express and frequently untitled loops who attempts to fellate the lascivious shutterbug even though the actor playing him seems to be having a problem express his equipment to work properly.

Had it been made in the USA or Europe, Diversions would have been just another express porn film — not as hardcore as was the norm in those days and not particularly well made and most likely it would have been forgotten by now. The existence of something like Diversions is a genuine shock. Diversions is a seriously odd film — the lengthy dialogue-free passages and disconcerting switches from knockabout comedy to unsettling scenes of humiliation, from blood-soaked violence to hardcore sex, give it a peculiar, almost dreamlike feel and sex sex scenes are disappointingly inconsistent.

Some are well shot, others give the impression that Ford had lost interest and just left his camera running in the hope of catching some footage he might be able to salvage later. Given her enthusiasm here, it would seem likely. Deeley was soon being tipped as the next big thing in British porn. Her natural good looks, apparent lack of any inhibitions and willingness to engage in all manner of hardcore shenanigans setting her up as possibly the natural successor to Mary Millington.

Tragically, it all diversions horribly wrong — she fell in with an off-screen diversions who helped lead her into cocaine addiction and she became too unreliable for producers to trust. Her career in British porn was short-lived — she only appeared in sex other films, and one of those is disputed — The Session may not have been completed, joining another of films, Pink Orgasm on the shelf, never to see the light of day.

But it is interesting as a sort of oddball cultural curio and should prove and you just knew this gag was sex to be an entertaining diversion for lovers of 70s British obscurities.

The Nazi sequence appears to have also been available express as a loop, under the title Nazi Sexperimentsthough when it was released and to which territories remains unclear. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account.

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Whilst on a train journey a beautiful woman Heather Deeley fantasises about a series of bizarre sexual encounters. Released in the U. K in a butchered format, the full version of "Diversions" is diversions that has too be seen to be believed.

Ole Heather Deeley has been sentanced to a prison term and her two guards are escorting her via train. Once in the carriage she starts to day dream and her first involves a man who reminds her of her "first time" which we see in all its "glory". Including Heather unwashed Glory-Hole, which is a sight for sore eyes, so dont have food near when this evil vision is launched upon you, it may rot the stuff.

Then express to the train, she has a fantasy with a man she imagines as a Vampire, cut sex her being assaulted by some nasty nazi's, sex the meantime she cuts off a man's penis and lolls it over her chest, gets gang-banged by Nazi's and is diversions for a call girl. Worth tracking down, ask a smut hound. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.

Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Diversions Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Express Versions. Rate Sex. Director: Derek Express. Writer: Derek Ford. Added to Sex. Steve's dvds. Share this Sex Title: Diversions 6. Use the HTML below. You must be a registered user to sex the IMDb rating plugin.

Edit Cast Cast overview: Heather Deeley Imogene Derek Martin Escort Jacqui Rigby Express as Jacky Rigby Sex Morgan Express Terry Walsh Mercenary Officer Timothy Blackstone Express Victim James Lister Express Tim Burr Gentleman Caller Tony Kenyon Photographer as Anthony Kenyon Gilly Sykes Parlour Maid Christopher Gilbert Edit Express Whilst on a train journey a beautiful woman Heather Deeley fantasises about a series of bizarre sexual sex.

Genres: Adult. Diversions Details Country: UK. Language: English. Runtime: 50 min 87 min hardcore. Sound Diversions Mono. Color: Color. Edit Did You Know?

Add the first question. Was this review helpful to diversions Yes No Report this. Edit diversions. Clear diversions history.

All too often played for laughs, the British sex films of the 70s were generally a staid and almost apologetic lot that seemed almost mortified that they were engaging in such terribly un-British acts. The longer version — intended only for overseas consumption — features five stories as opposed to the four seen in Sex Express.

Both films begin the same way — Imogen Deeley boards a train, handcuffed to another woman, apparently being escorted to prison for crimes of violence. En route, she wiles away the time by fantasising about her fellow passengers, beginning with a curious encounter with a young man who seems intent on eroticising the humble apple.

After some tedious poetry readings, we get a lengthy but poorly lit coupling in a barn. Diversions veers straight into horror territory with the next sequence. Imogen constructs a fantasy around a black-clad passenger reading a copy of Vampirella comic in which she has sex with perennial British superstud Timothy Blackstone once a bit part in the Doctor Who story Genesis of the Daleks but soon dropping his pants on cue in a variety of British sex romps, notably a series of hardcore loops for John Lindsay and stabs him to death at the moment of climax while suffering flashbacks to a brutal war-time gang rape.

Had this scene survived intact, British audiences would have been completely unprepared for this brutal and out-of-left-field plot development. The vignette continues with Imogen setting out to seduce and presumably kill another victim that picks up while driving her sports car around central London — but the tables are turned when the new pick-up turns out to be a vampire!

The third tale is a bog-standard sex film scenario in which Deeley plays a respectable suburban woman whose phone number gets muddled up with that of a call-girl and whose displeasure at getting pervy phone-calls is tempered somewhat by the arrival at her door of a hunky American looking for some action. It goes on forever and is rather tediously shot. British viewers of Sex Express were denied the fourth segment in its entirety.

The last episode is also fantasy. Imogen buys an antique camera which seems to be haunted by a Tod Slaughter-look-alike Victorian photographer.

Deeley is joined in these scenes by Gilly Sykes another regular in anonymous and frequently untitled loops who attempts to fellate the lascivious shutterbug even though the actor playing him seems to be having a problem getting his equipment to work properly.

It's the second of the film's episodes which enters into 'Hysteria! As a result, this edited title escaped the attention it has undoubtedly deserved all these years. The basic outline of the movie is that Deeley appears to be playing a female prisoner, being escorted by police from St. Pancras to an unspecified Northern location by rail a climactic surprise reveals her to actually be the escorting police officer. As the journey proceeds, Deeley's mind begins to wander, and she begins to create sexual fantasies involving her travelling companions.

A tall, dark, handsome chap sitting diagonally opposite is leafing through a copy of the old 70s horror comic 'Vampirella', and inspires the bloody events of the movie's second such vignette. This tale opens with Deeley and British sex film superstud Tim Blackstone bonking away on a black couch in her apartment. Aside form the very explicit heterosexual and lesbian sex scenes, the movie is chock-a-block with horrifying overtones of violence.

In one sequence completely missing from the UK print Deeley and her co-star Jacky Rigby are forced into nasty submission by a couple of gun-toting Nazis and in the film's most unpalatable scene Deeley plays a man-hating rape victim who castrates her Soho pick-up the ever-reliable stud Timothy Blackstone post-coitus, and then does unpleasant things with blood and his amputated member!

It's impossible to go into too much detail here on the IMDB, but needless to say if you get to see the complete unexpurgated version of 'Sex Express' you won't believe your eyes. Without doubt it is one of the most shockingly dirty movies ever shot. And its all the more surprising because it's British! A film which holds a special place in British cinema history, being as far as I know the only hardcore pornographic feature made on film by a British director and cast during the so-called "Golden Age of Porn.

There's also some very odd, dark-minded stuff going on in here, making it more than simply a hardcore version of one of the sex romps British producers were making during the 70s. This is intense and intriguingly sick stuff at times. A woman Heather Dealy, who is excellent is escorted in handcuffs onto a train with a uniformed female warder, and whilst journeying fantasises about the others in the carriage. First, one of the men reminds her of her first lover, and we get a flashback to a barn where she is playing hide and seek with him; he pretends to fancy the apples in the barn more than her!

She then buries the body and drives off into the night in search of another victim, only to find that the next man she picks up turns the table on her as he is a vampire.

Losing in this fantasy sobers her a little, so the next sex vision has her living in the flat of a whore and hiring herself out to a hunk who visits, the twist being that he wasn't the client she thought he was but a flat-hunter; this segment ends happily with the two of them having had such good sex that they end up shacking up together.

Things turn sordid again in the next story, as she imagines the prison warder and two Nazis sexually abusing her in German WW2 uniform. The last segment has a her as a collector of Victoriana who buys a vintage camera which is haunted by the pornographer who used to own it - she has a threesome with this masher and his maid. It's positing of a lurid and shocking fantasy life going on as a train rides through the English suburbs and countryside suggests an England very different from the surface politeness and drabness - a world of licentiousness, death-worship and weird desires.

It's great to have the film as a record of something else going on in England at the time than strikes, disillusion, saucy smirking and Puritan censoriousness. It is telling that the fantasist at the centre of the film is in handcuffs, but there's a twist at the end of the tale, as it's not the protagonist that gets delivered up to the prison officer at the end of the journey but her warden.

Is it that the fantasies have freed her from her bondage, or that those in charge of imprisoning people are hypocrites with fevered desires? The film's original trailer spoke of "a woman who can't tell fantasy from reality" and the film's end gives the whole thing an air of illusion - and that's only appropriate, for what is this kind of fantasy but propriety's daydream, and what is propriety but a fantasy of the desiring mind? The DVD I saw was taken from the print in a terrible condition, and given the historical importance of Diversions as the UK's only home-grown pornographic feature film before the advent of video and DVD and the relaxation of the censorship laws, I would say that the BFI ought to look to restoring the film to its original glory; it says more about Britain and the secret life of both its cinema and its people than most other Brit films made contemporaneously.

Released in the U. K in a butchered format, the full version of "Diversions" is one that has too be seen to be believed. Ole Heather Deeley has been sentanced to a prison term and her two guards are escorting her via train.

Once in the carriage she starts to day dream and her first involves a man who reminds her of her "first time" which we see in all its "glory". Including Heather unwashed Glory-Hole, which is a sight for sore eyes, so dont have food near when this evil vision is launched upon you, it may rot the stuff.

Then back to the train, she has a fantasy with a man she imagines as a Vampire, cut with her being assaulted by some nasty nazi's, in the meantime she cuts off a man's penis and lolls it over her chest, gets gang-banged by Nazi's and is mistaken for a call girl.

Worth tracking down, ask a smut hound. HumanoidOfFlesh 6 August Deeley plays a female prisoner escorted by the police. During her transport by train she begins to create sexual fantasies involving her travelling companions. The second vignette is easily the most controversial of them all. Deeley has a pretty wild sex with Tim Blackstone. Suddenly she stabs him to death with a dagger,masturbates with the murder weapon,bloodily castrates him and performs fellatio on his severed penis. However the special effects are pretty poor and annoying music destroys entirely the credibility of this slightly unsettling sequence.

The other episodes are not as interesting,but still provide plenty of hard core sex and sleaze. Doesn't really live up to its reputation lazarillo 15 February As others reviewers said the uncut, "export" version of this movie "Diversions" would NEVER have been passed by the 70's British censors.

Nor would it probably do too well today even outside of Britain. It has been taboo in America since the early 80's days of the "Meese Commission" for hardcore porn films to contain violence or for that matter actual drama. And even "sexually liberated" European countries like Sweden would probably ban a film like this today, not for the sex but for the violence.

What I find highly ironic though is that the combination of real hardcore sex and fictional violence does not generally make for a more potent and disturbing film, as many hysterics claim, but actually a far LESS potent and disturbing film.

This is because the long hardcore sex scenes tend to take away from the suspension of disbelief that makes many non-hardcore "grindhouse" films like "Cannibal Holocaust" or "Last House on the Left" so disturbing and compelling. This movie, for instance, contains a disturbing "fantasy" sequence that supposedly takes place in a Nazi prison camp.

While this scene starts out as pretty disturbing, it soon turns into typical three-way porno scene and the effect is lost. I also think the swinging hedonists of the world should protest the way Nazis are always being portrayed as swinging hedonists when the real-life Nazis, if anything, were repressed puritans much closer in spirit to the right-wing censors.

Some historians believe, for instance, that despite his last-minute marriage to Eva Braun, Adolph Hitler actually died a middle-age virgin. There's also another "fantasy" sequence where the heroine, supposedly a victim of war-time rape even though the twenty-five-year-old lead actress Heather Dealey wouldn't have even been BORN during the World War II , decides to get even with the male sex by picking up random men and murdering and castrating them.

sex express diversions

Sign In. Diversions Hide Spoilers. Heather Deeley crusin' for express brusin' onboard British sex cinema's sickest ride. SPOILERS Derek Ford's two films of appear to have been conceived as showcases for two little known starlets in an attempt to turn them into the hottest, newest star.

Both actresses appear in every scene of their respective films, with the focus centred around female protagonists-a express in British expreess cinema.

Ford was a contradictory case, who had little positive to say about the type of films he made nor the audiences who enjoyed them, reiterating how boring he found filming sex scenes.

Exress from express The Yellow Teddybears to 's Attack of the Killer Computer, you're unlikely to find many Derek Ford credits that aren't in the sex or horror exploitation realm. Heather plays an apparent prisoner travelling by train, accompanied by two guards, a man future Eastender Derek Martin and a woman whom she's handcuffed to.

Bored by the journey, Heather starts dreaming up a series of wild fantasies. In the first she's being chased around a barn by diveraions poetic stud-who seems to fancy apples more than our heroine. What a berk! In this Deeley plays a wartime nurse gang-raped by soldiers. The experience leaves her totally deranged, to the degree that she murders her sexual partners, like hardcore-loop perennial Timothy Blackstone who she knifes to death and castrates.

Heather, naked and dolled up in blue express, sensually rubs stage blood over herself after the kill, an image of eroticism and grotesquery. When we next see Heather she's driving around London great vintage footage sex Piccadilly Circus. She spots a man dressed like a magician and beckons him into her car. Heather looks up to discover she's having sex with a Vampire you meet all sorts in Piccadilly Circus.

The next fantasy is a Commuter Husbands era sex farce-centred around a room-for-rent advert being mistaken for a girl-for-rent one. Back onboard the Sex Express, Heather visualises the ticket collector as a gun crazy Nazi. A savage scenario by any yardstick, it's unlikely any British sex actress, sex Deeley, would have agreed to be filmed this way.

The DeWolfe music cues used for the Nazi seex are more familiar from their use in 's horror films-which seems appropriate. Finally Deeley buys a vintage camera from a brick-a-brack shop, takes it home,does some sexy poses in front of the antique, and ends up seduced by the camera's previous owner a Tod Slaughter-look ghost Anthony Kenyon.

The end of the journey, the handcuffed escort and prisoner are separated. Heather is revealed to be the escort, not the prisoner. While her captive is taken away, Heather homes in on a male passenger. Such opinions give the impression Britain's critics were watching a different film-and to a degree they were. The significant difference is express Sex Express is a softcore film, Diversions has Deeley, Blackstone, et al acting out the sex scenes for real.

Ford was extremely secretive about shooting hardcore for export prints-previously his films had such material inserted by foreign distributors- i. Seen epxress its complete, expanded version Diversions is neither silly,mild nor seemingly the work of someone who found sex scenes boring.

The lengthy silent sections and zig-zagging between fantasy and reality, give Diversions a dreamlike surreal slant, unexpected from Ford express films usually are heavily narrative-led. With the overseas edit Ford, free from worry about his reputation within the British Film Industry, doesn't know when to stop, finding in Heather Deeley a willing participant. Out of the blue moments of hardcore sex and horror contribute an off-balance but highly intense tone.

Ford's sideline in cranking out horror film scripts was never more obvious. Both sequences repeating a blood on breasts motif, and sex violence in the manner of a sexual kink. More troubling is that Deeley acts as much the playful sex kitten in the mutilation diversions as she does the sex.

For its director and divresions however, Diversions was pretty much the beginning of the end. Much as he tried to deny it, exploitation film blood ran through the veins of Derek Ford, right till the end. Diversions hasn't been seen in the Divesrions since the late seventies. Neither has Heather Deeley, an incredibly popular girl in the mid-Seventies, forgotten and vanished by the decade's end.

Nobody knows what became of Heather. Diversions is Derek Ford's zenith as a sex and horror man, and he tried his best to make sure none of his fellow countrymen ever found out about it. Was this review helpful? Sign in to vote. On the face of it most saucy British sex films of the s look pretty harmless today. Movies like 'Keep it Up Downstairs' and the legendary 'Come Sex with Me' were released to UK cinemas with only the merest flashes of nudity and simulated sexual shenanigans mixed in with a barrow-load of silly jokes.

However, in their export versions these naughty classics showed just about everything express the sort of hardcore sex scenes that would have made the British diversions choke on his cornflakes! In repressive Seventies Britain it was commonplace for the X-rated movie makers to produce 'two versions' of all their sex film productions.

The American and Diverwions markets demanded much more explicit action in their sex movies, but diversions infamous British skin-flick went much, much further than all of its contemporaries. Released in Britain inDerek Sex 'Sex Express' ran for barely 50 minutes, but in its re-titled export version 'Diversions' the movie featured a further sex hour of some of the most degrading, diversion and perverted sex scenes ever shot in the UK.

Director Ford had previously dabbled in some diversions innocuous hardcore 'extras' for his movies 'Commuter Husbands' and 'Keep it Up Jack'but he went beyond the pale for his latest sleazy epic. The story follows the extreme sexual fantasies of lissom beauty Heather Deeley. Miss Deeley, who had been working in the adult industry since her late teens, had already appeared diversions a few sex comedies, but 'Sex Express' gave her a first bite at a leading role and the movie proves what an excellent actress she was.

Her sex acting is as enthralling as her palpable sexual energy. She really is a force to be reckoned with and had she stuck around longer would have really given British legend Mary Millington a run for her money. Sadly, Deeley disappeared completely from the film business in further details are found diversions Simon Sheridan's excellent book 'Keeping the British End Up: Four Decades of Saucy Cinema', published in and never capitalised on sex immense talents.

Who knows where she is now? The full version of 'Sex Express' shows just how far a British exploitation director was willing to sex to crack the overseas market. Aside form the very explicit heterosexual and lesbian sex scenes, the movie is chock-a-block with horrifying overtones of violence.

In one sequence completely missing from the UK print Deeley exprrss her co-star Jacky Rigby are forced into nasty submission by a couple of gun-toting Nazis and in the film's most unpalatable expgess Deeley plays a man-hating rape express who castrates her Soho pick-up the ever-reliable stud Timothy Blackstone post-coitus, and then does unpleasant things with blood and his amputated member! It's impossible to go into too much detail here on the IMDB, but needless to say if you get to see the complete unexpurgated version of 'Sex Divrrsions you won't believe your eyes.

Without doubt it is one of the most shockingly dirty movies ever shot. Diversions its all the more surprising because it's British! A film which holds a special place in British cinema history, being as far as I know the only hardcore pornographic feature made on film by a British director and cast during the so-called "Golden Age of Porn. There's also some very odd, dark-minded stuff going on in here, making it more than simply a hardcore version of one of the sex romps British producers were making during the 70s.

This is intense and intriguingly sick stuff at times. A woman Heather Dealy, who is excellent is escorted in handcuffs onto a train with a uniformed female warder, and whilst journeying fantasises about the others in the carriage. First, one of the men reminds her diverions her first lover, and we get a flashback to a barn where she is playing hide and seek with him; he pretends to fancy the apples in the barn more than her!

She then buries the body and drives off into the night in search of another victim, only to find that the next man she picks up turns the table on her as he is a vampire. Losing in this fantasy sobers diversions a little, so the next sex diversions has her living in the flat of a whore and hiring herself out to a hunk who visits, the twist being that he wasn't the client she diverssions he was but a flat-hunter; this segment ends happily with the two of them having had such good sex that they end up shacking up together.

Things turn sordid again in the next story, as she imagines the prison warder and two Nazis sexually abusing her in German WW2 uniform. The last segment has a her as a collector of Victoriana who buys a vintage camera which is haunted by the pornographer who used to own it - she has a threesome with this masher and his maid.

It's positing of a lurid and shocking fantasy life going on as a train rides through the English suburbs and countryside suggests an England very different from the surface politeness and drabness - a world of licentiousness, death-worship and weird desires. It's great to express the film as a record of something else going on in England at the time than strikes, disillusion, saucy smirking and Puritan censoriousness. It sec telling that the fantasist at the centre of the film is in handcuffs, but there's a twist at the end of the tale, as it's not the protagonist that gets delivered up to the prison officer at the exprsss of the journey but her warden.

Is it that the fantasies have freed her from her bondage, or that those in charge of imprisoning people are hypocrites with fevered desires? The film's original trailer spoke of "a woman who can't tell fantasy from reality" and the film's end gives the whole thing an air of express - and that's only appropriate, for what is this kind of fantasy but propriety's daydream, and what is propriety but a fantasy of the desiring mind?

The DVD I saw was taken from the print in a terrible sex, and given the historical importance of Diversions as the UK's only home-grown pornographic feature film before the advent of video and DVD and the relaxation of the censorship laws, I would say that the BFI ought to look to restoring the film diversions its exrpess glory; it says more about Britain and the secret life express both its cinema and its people than most other Brit films made contemporaneously. Released in the U. K in a butchered format, the full version of "Diversions" is one that has too be seen to be believed.

Ole Diversioons Deeley has been sentanced to a prison term and her two guards are escorting her via train. Once in the carriage she starts to day dream and her first involves a man who reminds her of her "first time" which we see in all its "glory". Including Heather unwashed Glory-Hole, which is a sight for sore eyes, so dont have food near when this evil vision is launched upon you, it may rot the stuff.

Then back to the train, she has a fantasy with a man she imagines as a Vampire, cut with her being diversiojs by some nasty nazi's, in diversipns meantime she cuts off a man's penis and lolls diversons over her chest, gets gang-banged by Nazi's and is mistaken for a call girl.

Worth tracking diversions, ask a smut hound. HumanoidOfFlesh 6 August Deeley plays a female prisoner escorted by the police. During her transport by train she begins to create sexual fantasies involving her travelling companions. The second vignette is easily the most controversial of them all. Deeley has a pretty wild sex with Tim Blackstone. Suddenly she stabs him to death with a dagger,masturbates with the murder weapon,bloodily castrates him and performs fellatio on his severed penis.

However the special effects are pretty poor and annoying music destroys entirely the credibility of this slightly unsettling sequence. The other episodes are not as interesting,but still provide plenty of hard core sex and sleaze.

Doesn't really live up to its reputation lazarillo 15 February As others reviewers said the uncut, "export" version of this movie "Diversions" would NEVER have been passed by the 70's British censors. Nor would it probably do too well today even outside of Britain. It has been taboo in America since diversions early 80's days of the "Meese Commission" for hardcore porn exprexs to contain violence express for that matter actual drama.

And even "sexually liberated" European countries like Sweden would probably ban a film like this today, not for the sex zex for the violence. What Sex find highly ironic though is that the combination of real hardcore sex and fictional violence does not generally make for a more potent and disturbing film, sex many hysterics claim, but actually a far LESS potent and disturbing film.

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Actors: Heather Deeley, Derek Martin, Jacqui Rigby, Jeffrey Morgan, Terry Walsh.​ One involves a sexual encounter with a man while she further imagines herself being raped by soldiers.​ Another involves having sex with a vampire who she’s trying to stake while lying beneath him. Ladies' side swimsuit, backless triangle, one-piece sex. $ (). New - 05/​06/ · sex Leggings running printed yoga pants sports bandages. $

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